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EntrepreneurshipMade in America: Self-Styled Success from Horatio Alger to Oprah Winfrey cover
THE BOOKSHELF · English

Made in America: Self-Styled Success from Horatio Alger to Oprah Winfrey

By Kymet Tunca alyurt
The first look at self-made men and women from a multicultural perspective. Brings gender, race, and ethnicity to bear on the myth of the "self-made man." Made in America presents the first look at self-made men and women from a multicultural perspective. Jeffrey Louis Decker discusses the emergence of self-starters like Andrew Carnegie, Booker T. Washington, Madam C. J. Walker, Younghill Kang, and Lee Iacocca in relation to the changing consumer markets of the twentieth century. Decker locates the new breed of entrepreneurs within the changing rhetoric of personal success, which shifted its emphasis over the past century from religious "char
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The first look at self-made men and women from a multicultural perspective. Brings gender, race, and ethnicity to bear on the myth of the "self-made man." Made in America presents the first look at self-made men and women from a multicultural perspective. Jeffrey Louis Decker discusses the emergence of self-starters like Andrew Carnegie, Booker T. Washington, Madam C. J. Walker, Younghill Kang, and Lee Iacocca in relation to the changing consumer markets of the twentieth century. Decker locates the new breed of entrepreneurs within the changing rhetoric of personal success, which shifted its emphasis over the past century from religious "character" to psychological "personality" to celebrity "image." The book concludes by surveying the life stories of enterprising celebrities such as Oprah Winfrey and Arnold Schwarzenegger. Decker analyzes the autobiographical expressions of famous entrepreneurs, from Carnegie to Ross Perot, alongside more marginal ones in order to examine how mainstream society shapes and is shaped by the cultures of subordinate groups. In addition, he looks at the link between self-making and nation-building, and in doing so discovers the origins of another pervasive myth: the "American dream." Underlying Decker's study are these questions: What happened to the myth of self-making in America? If it is dead, what caused its demise? If it lives on, what form has it taken? Written in a lucid and engaging style, Made in America uncovers the richness, complexity, and diversity of self-styled success in our time. By bringing gender, race, and ethnicity to bear on the myth of the "self-made man," this book provides a timely and fascinating reexamination of a traditional area of inquiry in American cultural studies. 200 pages Translation rights: University of Minnesota Press

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