Old Norse Poetry in Performance (Routledge Advances in Theatre & Performance Studies)

Acknowledgements List of Contributors Introduction by Terry Gunnell Part 1: The Social Dynamics of Performance Chapter 1: Framing Old Norse Performance Contexts: The Wedding at Reykjahlar (1119) Revisited by Stephen A. Mitchell Part 2: Voice and Performance Chapter 2: Revisiting Zumthorian Vocality in Old Norse Poetry Studies by Ins Garca Lpez Chapter 3: me skara skjldu ok skotnar brynjur: The Distribution and Function of Aural Sense Impressions in Old Norse Poetry by Simon Nygaard Chapter 4: Dramatic Implications of Echoed Speech in Skrnisml by Harriet Soper Part 3: Collocation and Quotation Chapter 5: Eddic Poetry and the Uses of Anonymity by John McKinnell Chapter 6: Accretive Quotation and the Performance of Stanzas in Fagrskinna by Helen F. Leslie-Jacobsen Part 4: Material Culture Chapter 7: Old Norse Poetry in Visual Art: a Comparative Perspective with the Islamic World by Rebeca Franco Valle Chapter 8: How the Hell Do You Read This? The Evolution of Eddic Orality through Manuscript Performance by Frog Part 5: Modern Approaches to Performing Old Norse Poetry Chapter 9: Old Norse Poetry in Performance: Perils, Pitfalls and Possibilities by Brian McMahon Chapter 10: Interview with Leif Stinnerbom Chapter 11: Interview with Einar Selvik Chapter 12: Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed `Singer of Tales by Benjamin Bagby Chapter 13: ` beta e que fm flutt: Kvenar Drpur og Kvenar Rmur by Ptur Hni Bjrnsson